I like traditional Japanese motifs like Peony, Chrysanthemum, or Japanese Aralia. But then I also throw in not so traditional approach like an antler, plants with roots, and giving angular design to balance otherwise a very traditional design composition.
Having spent hours on the design, I secretly thought it was pretty laborious task. Then I heard Mako, co-founder of Togei Kyoshitsu of New York, saying she has seen a documentary on a Chinese ceramic painter who had spent a year fishing a piece. It is a very humbling experience.
